Obsidian Records is pleased to announce a new collaboration with Musica Secreta and Celestial Sirens.
Far from being silent, Renaissance convents were among the most active musical institutions in Europe. In this ground-breaking CD, Musica Secreta delves into the mysterious world of early sixteenth-century convent music.
The discovery of anonymous motets in a book entitled Musica quinque vocum motteta materna lingua vocata (1543) has pushed back the date of the earliest known polyphonic music for convents by 50 years. The book also raises tantalising questions about the motets' authorship.
New research suggests that some of these motets were composed by the abbess of the convent of Corpus Domini in Ferrara, Suor Eleanora d'Este, a woman of prodigious musical skill with a unique lineage. She was the daughter of Lucrezia Borgia, a woman cast by popular history as a notorious femme fatale; often portrayed as beautiful and power-hungry, Lucrezia was married to a succession of wealthy men. The convent offered a very different way of life for her only daughter, however, and these unique motets offer a vision of the 16th century convent as a place for religious celebration, contemplation and exceptional music-making.
These motets were recorded for the first time in the summer of 2016 for Obsidian records, performed by Musica Secreta and Celestial Sirens and directed by Laurie Stras and Deborah Roberts.
For over twenty-five years, Musica Secreta has been at the forefront of the discovery and interpretation of music for and by early modern women. We bring together internationally-acclaimed musicians and ground-breaking research to perform this fascinating and continually emerging repertoire. Our programmes illustrate the many faces of women musicians in the 16th and 17th centuries: courtiers, courtesans, actresses and cloistered nuns. There is always an element of story-telling and surprise in our performances, for the women who first made our music had lives as compelling as the music itself.
Celestial Sirens is a select non-professional choir of female singers based in Southern England. The group was formed in 2003 by Deborah Roberts, and has maintained a strong reputation as the country’s foremost ensemble committed to the performance of choral works in the style of early modern convents.
Deborah Roberts has been at the forefront of British early music performance for over three decades, as a soprano in over a thousand concerts with the Tallis Scholars and, for the last fifteen years, as a co-director of the Brighton Early Music Festival. She is also a distinguished teacher and coach, and now runs her own summer workshops, Triora Musica.
Laurie Stras is a Professor of Music at the University of Southampton, where she teaches courses on both sixteenth-century polyphony and twentieth-century girl groups; her book on the musical women of sixteenth-century Ferrara is forthcoming with Cambridge University Press.